![]() ![]() The score itself flits around all over the place. Both themes are very pleasant and appear (usually fleetingly) through the body of the score, though they’re not as memorable as this composer’s themes usually are. “Cave Painting Theme” is a lovely piece with an adventurous spirit “The Croods Family Theme” is fairly similar, with a more sentimental feeling. At the end of the album is a lovely feature, one I thought had pretty much died out – concert arrangements of the score’s two main themes. ![]() However, I am not determined that at some point in my life, I too will feature Yuna. I could be mistaken – indeed, I have been mistaken before, though certainly not since 2002 – but something tells me that when the list of great bands is compiled, The Beatles and U2 are unlikely to be troubled near the top of the chart by Owl City Featuring Yuna. The album opens with a song written by the composer with his usual lyricist Glenn Ballard (and the film’s two directors), “Shine Your Way”, performed by an ensemble called Owl City Featuring Yuna. One of the film’s directors is Chris Sanders, who made Lilo & Stitch back in prehistoric times (2002), working with composer Alan Silvestri in the process, and Silvestri is back to rekindle the relationship on The Croods. When I read that DreamWorks Animation was making a film about a family of dysfunctional Neanderthals, I assumed it was going to be the first animated movie about the Kardashians.
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